Casino Chaos

Last set … until I go again, next year.

Las Vegas, the little of it I saw, was just chaotic and depressing – hollow people chain smoking and hitting the play button, over and over. Visually, there was more that I didn’t see until I was gone, I think. The advantage of going somewhere for the first time is you see a lot and, if you’re committed to your visual mission, it’s all fresh and available.

My own disadvantage was wandering downtown with two new friends. Thankfully, they were extremely patient with my random pauses and diversions and never left me behind, though they probably would have seen more if they had. Next year I’ll either wander alone or prep them better. Maybe offer up a night-life-lights shooting lesson or something.

So on to the last two …

Canon PowerShot G10, 15.7 mm, ISO 200, 1/25, f/3.5

Even the Denny’s is fancy there …

Canon PowerShot G10, 6.8 mm, ISO 200, 1/13, f/2.8

Somewhere in those two frames is the photo I want to make next year. I got mentally close to it but didn’t make the image this time. It’s about light and opulence and grandeur and monstrosity and irony. I got some of the light, a little opulence, some grandeur and a touch of monstrosity, but I never got the irony. I need to find the irony.

I guess I’ll insert a little tech talk here … I had only one camera with me (okay, two if you include the cell phone camera) – a Canon PowerShot G10. It’s a great camera and I’ve been very happy shooting with it. It’s light, compact, durable and flexible. It gives me the controls I need to get the images I usually want.

The small sensor allows for very short focal lengths which allows for very low shutter speeds. But that small sensor is an issue for me – with those ultra-short focal lengths, everything has too much depth of field for me and there’s no significant lens compression. (You’ll note almost all of these were kept below an ISO of 200 – above that, the color saturation falls off as the noise goes up. It’s better than most of the other cameras in its class, but it’s no full framer, that’s for sure.)

So here’s my hope for next year … given why I’m going to Las Vegas (a convention), and the limited time I’ll have to get out, I don’t think I’ll haul all the big Canon cannons around. What I’m hoping to acquire is an Olympus E-P2, with the Panasonic 20 mm f/1.7 lens. (Why not the Oly 17 mm f/2.8 lens? I think I’d like the wider field of view – 17 mm vs. 20 mm – but the extra stop and a half – f/1.7 vs. f/2.8 – is what I’m really after.) To that I’d love to have a long, fast lens – maybe an old Olympus 90 mm f/2.0 Macro with an adapter (but that’s pretty pricey) or their 85 mm f/2.0. If I were to pocket a third lens, it’d probably be a Voigtlander – maybe the 50 mm f/1.5 or the 40 mm f/1.4, both would be great for low light portraits.

Every photographer searches for their right combination of equipment, the gear that disappears in their hand. I had those tools a few times (my Leica M4-P with a 35 mm Summicron saw the world the way I saw it), I’m not there right now.

So, see that grass? It’s greener …

Desert Water

First, I promise, I’m almost out of Las Vegas photos. I know I’ve been stringing them out, I’ll get out on the streets again soon.

As part of our evening waltz down the Strip, we spend a lot of time looking at water. In the desert. It’s such an incongruous thing – to be surrounded by arid land but find an 80 acre pool (complete with one duck) that erupts every 15 minutes.

Outside the Bellagio …

Canon PowerShot G10, 30.5 mm, ISO 200, 1/40, f/4.5

I started tight, not really knowing what to expect.

Canon PowerShot G10, 6.1 mm, ISO 80, 1/30, f/2.8

Went wider when the second show started. (Yes, we stuck around for two shows …)

Canon PowerShot G10, 6.1 mm, ISO 80, 1/13, f/2.8

Canon PowerShot G10, 6.1 mm, ISO 80, 1/4, f/2.8

Canon PowerShot G10, 6.1 mm, ISO 80, 1/4, f/2.8

Twitter Weekly Updates for 2010-02-07

  • #SCCA National Convention ends on a positive note, which was really nice. BoD smiled at us and seemed happy with our plan for RoadRally. #
  • Overheard in class: "If I had been born a man … or a stronger woman …" #
  • Toyota should be every racer's dream car right now: they accelerate at will and there's no reason to use the brakes … cheap shot, I know. #

Working Into the Light

A few more visuals from Vegas. (Hey, great name for a book: Visuals from Vegas. Maybe I’ll do that next year.)

Thought this would be a nice sequence to show as a way of working into a subject. It was Friday night as we were walking the Strip, all I had was my trusty Canon G10 – not exactly a low-light star, but until someone wants to buy me a Leica M9 or, maybe, an Olympus E-P2, it’s my walk about camera and I’ll just keep shooting.

First view of the fake Eiffel Tower …

Canon PowerShot G10, 6.1 mm, ISO 200, 1/15, f/2.8

For the students who have found this, look at the shutter speed – well below the 1/60 I recommend you shoot at. But look at the focal length – at 6.1 mm, using the one-over-the-focal-length rule I’ve got some buffer. Not much, as there are some diminishing returns here, but braced up against a post it worked.

But it’s an, “Oh, look, cool. CLICK.” kind of frame. Needs something a little more.

Canon PowerShot G10, 6.1 mm, ISO 200, 1/8, f/2.8

Okay, a little less dynamic, but it’s got some foreground stuff going on it. Need to get down a little lower to clean up some things, and there’s that red blotch to the left … hate edge noise, but what is that?

Canon PowerShot G10, 30.5 mm, ISO 200, 1/13, f/4.5

Now I may have something. No, I don’t see the whole tower – but who doesn’t know what that looks like? But I am starting to talk about the Strip, the visual chaos, the lights, the patterns …

Safety, Beautifully

You all know I’m a car guy. I like cars, I like people who like cars, I like working on cars, and, mostly, I like driving cars. I’m not a speed freak, though I do enjoy auto racing. Mostly, though, I’m more of a brisk-but-legal driver.

But I always wear my seatbelt. Always. And I don’t let anyone ride who won’t, as well. The whole argument of, “I’m too cool to wear a seatbelt” is usually coming from people who drive aggressively and who probably crash because they either ran out of brains or ran out of control.

You can’t control your car if you’re moving around in it – seatbelts keep you in place while you’re driving and save your arse when your frontal lobe sees something shiny.

Why the PSA? Because I was pointed to this video and I think it’s just wonderful.

Walking in Vegas

Almost caught back up to real life, have a little time to sneak in a few glimpses of Las Vegas. All of which were shot on the one night I got out of the convention hotel.

A trio of us younguns (really, two at about 40, one at 22 and we WERE the young ones) headed down to the strip to walk around, look at lights and be thankful we weren’t gamblers.

Canon PowerShot G10, 6.1 mm, ISO 250, 1/60, f/2.8

(We kept joking that there was a rally trap in this somewhere. Rally humor really isn’t very funny, but that doesn’t stop us.)

Canon PowerShot G10, 6.1 mm, ISO 200, 1/5, f/2.8

Up and Down, Not In and Out

Day four is dawning here in the hotel/casino/convention center. I did make it outside Friday night (photos to come), but haven’t been out in the fresh air since then. I bet Las Vegas is a really nice place … I hope to see it some time.

Canon PowerShot G10, 6.1 mm, ISO 200, 1/8, f/2.8