Red Grids

Finally made it out of my office for a bit today. Had a guest in my class – Stanley Leary – met him for lunch first. We got to talk and walk a bit, so I made a few frames.

The talking was about getting back to photography, about making frames for the love of the frame, not the need of the client. Which was different from what he spoke about in my class, which was all about the business side of photography.

I bring speakers in to supplement what I say and to show there are lots of approaches to what we do. This was the second time I had Mr. Leary in – and it will not be the last. His presentations have been excellent, he engages the students and gets them to think.

That he reinforces a lot of what I have told them is an added bonus. Though, to be honest, I came out of the class with as many notes as my kids … some of them having to do with business, some of them having to do with building relationships and a great new way of explaining why visual hierarchy in a frame is so critical. I’m mulling over my notes still, trying to find a way to blend what happened in class with what I do every day.

Today, today my kids got their money’s worth, I think.

Canon G10, 25.0 mm, ISO 80, 1/640, f/4.5

Canon G10, 25.0 mm, ISO 80, 1/640, f/4.5

Dew Drops

I posted a few days ago four images, shot with two different cameras, of essentially the same subject. Had another pair (below), which had me a little worried – was I really only seeing the exact same things every day? Is that why I did this, as well?

When I was shooting, I tried to take a different route to work every day. When I was going someplace I had been before, unless I was pressed for time (not like that ever happens at a newspaper) I tried to find a different path. It was my way of seeing more of my community and, uh, maybe padding the mileage a little.

But, really, it was to help me see. I’d occasionally find something along the new route that would lead me to a story or photo that we wouldn’t have gotten if I hadn’t gone the long way.

I need to get back to that.

Canon EOS Digital Rebel, Tamron 28-75 mm f/2.8, ISO 400, 1/200, f/4.5

Canon EOS Digital Rebel, Tamron 28-75 mm f/2.8, ISO 400, 1/200, f/4.5

Canon EOS Digital Rebel XSi, Tamron 28-75 mm f/2.8, ISO 400, 1/250, f/5.6

Canon EOS Digital Rebel XSi, Tamron 28-75 mm f/2.8, ISO 400, 1/250, f/5.6

Maybe it’s the size of the dew drops, but I think the older camera made a nicer file here.

More Grit, More Grime, More Texture

Can you tell I park next to a line of abandoned railroad cars?

Okay, they’re not really abandoned. There’s a lightly used rail line at one edge of the parking lot and beyond it is a student apartment complex. The students have a bad habit of cutting across the tracks, into the parking lot and off to campus. So a year or two ago the railroad company decided old, rusting boxcars would stop them from trespassing.

It did, for a few days. Then the students opened up the boxcars and built steps on both sides. Honest. Wish I had that photo …

Canon EOS Digital Rebel XSi, Tamron 28-75 mm f/2.8, ISO 400, 1/80, f/5.0

Canon EOS Digital Rebel XSi, Tamron 28-75 mm f/2.8, ISO 400, 1/80, f/5.0

End of the Slack

I know, I know … but, you see, classes started … and then the committee meetings started … and then the disease epidemic at home started … and, really, I have been making frames. They just haven’t made it through the FireWire or USB connections.

Until now … so, um, here’s sort of what my life has felt like for the last few weeks.

I redid the syllabus for my intro course and am teaching a new course that’s half photo/half design, but the first two weeks overlap a bit. So they both got a new assignment – Nouns and Verbs. And since one class is using a new camera that I haven’t shot with, I decided I should shoot this assignment. Twice. Similar subject, two different cameras, same lens model (one brand new, one five years old), 24 hours apart. Color saturation in the newer camera is pretty intense, but I think the auto white balance was playing games … should really shoot them in raw and process equally, see what happens.

Anyway – twisted chain link with a railroad backdrop for you …

Canon Digital Rebel, Tamron 28-75 mm f/2.8, ISO 400, 1/640, f/2.8

Canon EOS Digital Rebel, Tamron 28-75 mm f/2.8, ISO 400, 1/640, f/2.8

Canon Digital Rebel, Tamron 28-75 mm f/2.8, ISO 400, 1/320, f/4.0

Canon EOS Digital Rebel, Tamron 28-75 mm f/2.8, ISO 400, 1/320, f/4.0

Canon EOS Digital Rebel XSi, Tamron 28-75 mm f/2.8, ISO 400, 1/60, f/8.0

Canon EOS Digital Rebel XSi, Tamron 28-75 mm f/2.8, ISO 400, 1/60, f/8.0

Canon EOS Digital Rebel XSi, Tamron 28-75 mm f/2.8, ISO 400, 1/60, f/8.0

Canon EOS Digital Rebel XSi, Tamron 28-75 mm f/2.8, ISO 400, 1/60, f/8.0

And, I have to say … that bokeh, for an inexpensive lens, ain’t that bad.

Fireworks and Lasers

We took a weekend trip out to Stone Mountain, primarily to see the laser show and also as an end-of-summer camping trip. (All through the show, I kept wondering if Stonewall Jackson, Robert E. Lee and Jefferson Davis ever thought they’d be memorialized by laser cartoons dancing to Little Richard and Ray Charles …)

Made for some eerie scenes as there was a lot of humidity hanging in the air, so the laser showed up nicely. Brutal to make a photo of if you don’t bring the right gear …

Canon G10, 15.7 mm, ISO 200, 1/50, f/3.5

Canon G10, 15.7 mm, ISO 200, 1/50, f/3.5